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GOTHIC ART AND GERMAN MODERNISM: MAX BECKMANN AND “TRANSZENDENTE OBJEKTIVITÄT” A Thesis presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Master of Arts by JASMIN KRAKENBERG Dr. Carsten Strathausen, Thesis Supervisor DECEMBER 2005 ii Acknowledgements I would like to express my thanks to my supervisor Carsten Strathausen for his efficient help in preparing the paper and sometimes making me realize the pleasures of rational inquiry, and to Kristin Schwain for her cheerful and encouraging help and words. Special thanks to Jennifer Arnold, Bob Boon, as well as to Sean Ireton and Roger Cook for their patience. Finally, I owe to Jim the support and distraction in low times and the necessary encouragement to process with the final phase of completing the paper. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………….....ii LIST OF ILLUSTRATIONS………………………………………………...…iv Chapter 1. INTRODUCTION…………………………………...